Below are links to my finalised products, the first one is my radio broadcast and the second is my soundscape. The last link is for my Soundcloud which shows my development through the course in sound design.
https://soundcloud.com/jsheehan-405881438/radio-broadcast-final-edit
https://soundcloud.com/jsheehan-405881438/soundscape-final-edit
https://soundcloud.com/jsheehan-405881438
Monday, 2 May 2016
Sunday, 1 May 2016
Editing the Soundscape
Editing the soundscape was the most difficult piece of editing for me so far due to how many recordings I was putting together. However, after watching tutorial videos and practicing on Adobe Audition over the course I felt ready to edit it together. First of all I put all of the recording into groups depending on which of the 13 sounds I was trying to capture it was portraying. After doing this I edited each recording that was possibly going to be used; taking out unwanted background noise etc. After this I started to put the clips in order. Starting with the team talk and ending on the winning talk, I edited in between using various noises heard at a rugby game such as studs leaving the changing room, the referee's voice, a tackle, a try being scored, people cheering from the sideline etc. I reused many recordings such as footsteps and the kick of the ball. I also overlapped sounds such as the studs walking out of the changing to imply a team walking out or the sound of cheering and clapping to make it seem like there were a lot of people supporting from the sideline. I also had the recordings that were simply one after another fade into each other to make it sound more natural and leave minimal pauses.
Editing the radio broadcast
Even though the recording of the interview went well and only a few things had to be swapped in and out, post production for the whole radio broadcast consisted of a lot of editing. First of all I had to make the changes to the interview such as editing a question to where the same question had been asked poorly before hand. After this I edited some introduction music which faded into the presenter introducing the interview. Then with the presenter recording I edited out a few 'umm's' and 'ahh's'. I then added Declan's mix which faded in at the end. After all this was done I went back to the edited interview recording and listened for the comparison in mine and Declan's voice which was quite significantly different. Also, I had realised that when listening through headphones, it was only heard through one ear. I found out that this was because whilst I was recording, I had Audition set to Stereo and so it was recorded as so. After googling the problem I managed to adjust the recording to the Mono setting, meaning it was heard clearly through both ears. The final bit of editing for this piece was to adjust mine and Declan's voices so that the interview would run clearly throughout the interview. To do this I grouped the recording to all the points where I was talking and all the parts where Declan was talking. After this I individually adjusted each recording using the single band compressor tool, making our voices the same volume and as similar to each other as possible.
https://soundcloud.com/jsheehan-405881438/radio-interview-first-edit
https://soundcloud.com/jsheehan-405881438/radio-interview-second-edit
(The final edit is on a later post)
https://soundcloud.com/jsheehan-405881438/radio-interview-first-edit
https://soundcloud.com/jsheehan-405881438/radio-interview-second-edit
(The final edit is on a later post)
Recording the Soundscape
For the soundscape I produced a variety of recordings using either a shotgun condenser or dynamic microphone depending on whether it was being recorded inside or outside. On the day I had recorded over 50 recordings trying to get 13 different sounds for the final piece. Some sounds were easy to capture such as the kick of a rugby ball, tackle or the team talk. However, other shots proved more difficult such as recreating the sound of wind and the passing and catching of the ball. To overcome these problems though I made sure that all other sounds were recorded to perfection and I would work with what I had for the more difficult sounds when it came to editing.
Below are some grouped recordings:
https://soundcloud.com/jsheehan-405881438/running-recording-for-soundscape
https://soundcloud.com/jsheehan-405881438/tackling-recordings-for-soundscape
(The final edited soundscape is on a later post)
Below are some grouped recordings:
https://soundcloud.com/jsheehan-405881438/running-recording-for-soundscape
https://soundcloud.com/jsheehan-405881438/tackling-recordings-for-soundscape
(The final edited soundscape is on a later post)
Recording the interview
When recording the interview with Declan, I used a sound booth that consisted of a condenser microphone connected to an apple mac where it would be saved onto. I started by having a normal chat with Declan asking how his day was going etc. before I started to ask the questions. The questions and answers flowed very well and there was no hesitation in the answers. However, this made the interview shorter than expected. In order to add more to it I asked Declan if he had a mix that I would be able to use as part of the broadcast which he replied to with a yes. Therefore, at the end of the interview I added 'You've brought a mix with you today for us to listen to?' which I will then edit the mix into afterwards. Other than this there were no problems with Declan as an interviewee, however, I stuttered on one or two of the questions and so at the end just repeated the questions which once again will be edited together afterwards on Adobe Audition. Overall it was a successful recording and I believe a captivating interview just left to be edited.
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